Boris mardesic biography

Biography

Surveying the art of Boris Mardešić is an exhilarating and aesthetically rewarding

experience. Writing about it, on the other hand, poses one major problem: how does one congest four decades of a brilliant artistic career into one “brief profile” ? No matter how hard one tries, one is always left with an uncomfortable feeling that not enough has been said about the life andwork of one of the most impressive painters out of Europe in years.

Boris Mardešić was born in 1922 in Komiža, a picturesque little town on the Adriatic

island of Vis, Croatia. Washed in bright sunlight all year round, Vis’s intense colors and contrasts became the defining elements of Boris’s authentic visual language from the beginning. At the beginning of his career, Boris decided to trade the security of permanent home for a life on the move-constantly following his projects and exhibitions, from Rome and Milan to Brussels and Paris, from Madrid and Vienna to Washington D.C., and New York, to mention some of the most significant stations on this life-long journ

Open Call #1 – Artistic Residency Exchange 2025

Catherine Graziani and François Bergoin made the choice to come and settle in Corsica in November 1982 after initially performing theatre shows on the island from 1978 to 1981 while continuing their theatre training with many great European masters. They created their professional company in 1984. Following advice provided by the Ministère de la Culture, the company settled in Bastia in 1991 and rented premises (500m2) in the town centre. A warehouse thus became La Fabrique de Théâtre, a venue for the theatrical production and promotion of a repertoire of living theatre authors and young choreographers.

The Company

Since 1990 and thanks to its artistic decisions and the originality of its theatrical proposals (creation of unpublished European texts, unusual performance venues), the company has confirmed its reputation and has become well-known and recognised nationally and internationally. Over the last 40 years, its participations in festivals, in prestigious events taking place in symbolic places on the contemporary thea

Deadly grimaces of rebellion and humilation (about the face of the Other during the period of transition)

APA 6th Edition

Gunjević, B. (2008). Deadly grimaces of rebellion and humilation (about the face of the Other during the period of transition). Nova prisutnost, VI (2), 238-238. Preuzeto s https://hrcak.srce.hr/28988


MLA 8th Edition

Gunjević, Boris. "Deadly grimaces of rebellion and humilation (about the face of the Other during the period of transition)." Nova prisutnost, vol. VI, br. 2, 2008, str. 238-238. https://hrcak.srce.hr/28988. Citirano 16.02.2025.


Chicago 17th Edition

Gunjević, Boris. "Deadly grimaces of rebellion and humilation (about the face of the Other during the period of transition)." Nova prisutnost VI, br. 2 (2008): 238-238. https://hrcak.srce.hr/28988


Harvard

Gunjević, B. (2008). 'Deadly grimaces of rebellion and humilation (about the face of the Other during the period of transition)', Nova prisutnost, VI(2), str. 238-238. Preuzeto s: https://hrcak.srce.hr/28988 (Datum pristupa: 16.02.2025.)


Vancouver

Gunjević B. Deadly gr

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