Henri cartier-bresson death

Henri cartier-bresson photography style
Henri cartier-bresson photos
Henri cartier-bresson interesting facts

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Born in Chanteloup, Seine-et-Marne, in 1908, Henri Cartier-Bresson developed a strong fascination with painting early on, particularly with Surrealism. In 1932, after spending a year in the Ivory Coast, he discovered the Leica, his camera of choice thereafter, and began a lifelong passion for photography. He had his first exhibition at the Julien Levy Gallery in New York in 1933. He later made films with Jean Renoir.

Taken prisoner of war in 1940, he escaped on his third attempt in 1943 and subsequently joined an underground organization to assist prisoners and escapees. In 1945, he photographed the Liberation of Paris with a group of professional journalists, then filmed the documentary Le Retour (The Return).

In 1947, with Robert Capa, George Rodger, David “Chim” Seymour, and William Vandivert, he founded Magnum Photos. After three years spent traveling in the East, he returned to Europe in 1952, where he published his first book, Images à la Sauvette (published in English as The Decisive Moment).

He explained his approach to photography in these terms, “for me the came

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Summary of Henri Cartier-Bresson

Cartier-Bresson's work spanned photographic genres for the entirety of his long career. He is regarded as a pioneer of candid and street photography but he is also well-known for having produced some of the most compelling photographic portraits of notables ranging from Jean-Paul Sartre and Leonard Bernstein to Marilyn Monroe and Malcolm X. An early user of 35mm film, Cartier-Bresson preferred never to use the darkroom to adjust his photographs, a choice that enhanced the spontaneity of his images and emphasized what he called "the decisive moment." No single photographer is more closely linked to the development of modern photojournalism than is Cartier-Bresson, whose itinerant nature brought him to some of the most momentous events and sites in modern history - from the liberation of Paris from Nazi occupation to the assassination of Mahatma Ghandi.

Accomplishments

To enhance his capacity to take the kind of candid shots he preferred, Cartier-Bresson often wrapped his Leica camera in black tape to make it less obtrusive. Assuming the role o
Henri Cartier-Bresson (1908-2004) was one of the most original, accomplished, influential and beloved figures in the history of photography. His dramatic black and white works are among the most iconic images of the 20th century, and helped transform photography from a scientific curiosity into a modern art form.

Cartier-Bresson brought to the medium the eye of a painter and the temperament of a philosopher. He gave his discipline purpose, and the resulting images persuaded the world that photography was not simply the mechanical reproduction of life but a valid form of self-expression. His theory that photography could capture the meaning beneath the outward appearance of an event in an instant of extraordinary clarity was best expressed in his book Images à la Sauvette (The Decisive Moment, 1952). He largely created the natural, observational style that came to govern photojournalism, a profession whose independence of spirit was nurtured in the agency he co-founded in 1946, Magnum. He covered many of the world's biggest events from the Sp