Mf hussain painting price
- •
M. F. Husain
Indian artist (1915–2011)
Maqbool Fida Husain (17 September 1915 – 9 June 2011) was an Indian painter and film director who painted narrative paintings in a modified Cubist style.[2] He was one of the founding members of Bombay Progressive Artists' Group. M.F. Husain is associated with Indian modernism in the 1940s. His early association with the Bombay Progressive Artists' Group used modern technique, and was inspired by the "new" India after the partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and sombre. His themes—sometimes treated in series—included topics as diverse as Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British Raj, and motifs of Indian urban and rural life. In September 2020, his painting titled “Voices”, auctioned for a record $2.5 million.[3]
Husain's later works have stirred controversy, which included nude portrayals of Hindu deities, and a nude portrayal of Bharat Mata. Right-wing organisations called for his arrest, and severa
- •
M.F. Husain Biography: Birth, Death, Early Life, Controversies, Awards, Painting and Film Career
M.F. Husain or Maqbool Fida Husain was an Indian artist famous for making bold and vibrant coloured paintings. M.F. Husain was one of the most celebrated Indian artists of the 20th century. He was also associated with the Bombay Progressive Artists' Group. His paintings and films have landed him in various controversies.
| Birth | 17 September 1915 |
| Death | 9 June 2011 (age 95 years) |
| Profession | Painting |
| Painting style | Cubist |
| Education | Sir J. J. School of Art |
| Awards | Padma Bhushan (1973) |
| Padma Vibhushan (1991) | |
| Nationality | Indian (1915-2010) |
| Qatari (2010-2011) | |
| Political Career | Rajya Sabha MP (12 May 1986 – 11 May 1992) |
Birsa Munda: All you need to know about the tribal freedom fighter
M.F. Husain: Early Life
M.F. Husain was born on September 17, 1915, in Pandharpur, Maharashtra. Husain developed an interest in art while studying calligraphy. He attended the Sir Jamsetjee Jeejebhoy School of Art in Mumbai.
M.F. Husain: Car •
M.F. Husain: Master of Modern Indian Painting - About the Exhibition
M.F. Husain, Ganesha, 2008. Courtesy of Usha Mittal, © Victoria and Albert Museum, London
Maqbool Fida Husain, known as M.F. Husain (1915-2011), was one of India’s most eminent artists. Born in Pandharpur, his early years were spent in Indore. Husain began his career as a painter of cinema hoardings after attending art school in Bombay (now Mumbai). Using freehand drawing and vibrant colour, he depicted Indian subject matter in the style of contemporary European art movements, particularly Cubism.
Indian Civilization is an ambitious series of eight triptych paintings, commissioned in 2008 by Mrs Usha Mittal as a tribute to the richness of India’s history. Each panel explores a different theme, together creating a personal vision of India, what Husain called ‘a museum without walls’.
Interweaving religious and symbolic iconography with historic figures and events, the paintings also incorporate memories from the artist’s own life. Originally envisaged as a series of 96 panels, Husain was still working on the
M.F. Husain: Master of Modern Indian Painting - About the Exhibition
M.F. Husain, Ganesha, 2008. Courtesy of Usha Mittal, © Victoria and Albert Museum, London
Maqbool Fida Husain, known as M.F. Husain (1915-2011), was one of India’s most eminent artists. Born in Pandharpur, his early years were spent in Indore. Husain began his career as a painter of cinema hoardings after attending art school in Bombay (now Mumbai). Using freehand drawing and vibrant colour, he depicted Indian subject matter in the style of contemporary European art movements, particularly Cubism.
Indian Civilization is an ambitious series of eight triptych paintings, commissioned in 2008 by Mrs Usha Mittal as a tribute to the richness of India’s history. Each panel explores a different theme, together creating a personal vision of India, what Husain called ‘a museum without walls’.
Interweaving religious and symbolic iconography with historic figures and events, the paintings also incorporate memories from the artist’s own life. Originally envisaged as a series of 96 panels, Husain was still working on the
Copyright ©vanflat.pages.dev 2025